Ideas, once brilliant,
etched upon a napkin,
hide behind soldiers in black.
They want you to forget.
The army has no official commander,
and therefore no order;
except to cover their charges,
so they might be lost to the depths of bad poetry.
Mistakes cower behind enemy lines of angry ink,
held back by the great, black riot shields of a notebook’s cover,
pushed back behind teasing prison bars.
The dark soldiers threaten to strike
at any letter who may try to escape;
attempt freedom,
and run to an empty, white space:
a canvas for new works of literary genius.
My ideas, at first glance, are unlucky ones.
The black, ballpoint pen's army
is a juggernaut, unforgiving and unrelenting.
It attacks, angry and random, in thin, piercing scribbles,
leaving only a loop of a g,
a missed comma,
or the faint outline of an adjective.
But, a poet is not a tyrant—
only an unfortunate perfectionist.
The pen's army has a mind of its own,
and scribbles over the rejected ideas
without conscious permission.
She does not intend to cause such chaos
or to be judgmental upon her work.
A poet is an artist,
unwilling to allow such disastrous mistakes
as ineffective irony,
a misspelled metaphor,
or a scandalous simile.
At least the poet allows the rejected lines to exist.
She does not release the kraken:
a white-out bottle.
Nothing could be so cruel as to
eliminate the soft, innocent words
filled with ideas, possibilities and potential bestsellers,
and cast the remains to the floor,
to be swept away and thrown out like the morals of a CEO:
the unscrupulous bastard.
Her ballpoint army is but a means to justify the end.